55 House Idioms

55 House Idioms 55 House Idioms 55 House Idioms By Mark Nichol The integral nature and the ubiquity of houses in our culture has given rise to a number of idiomatic expressions that include the word house. This post lists such terms. 1. A house divided against itself cannot stand: A statement from a speech by Abraham Lincoln based on biblical scripture and alluding to the impending conflict between the North and the South over slavery 2. A house is not a home: A saying that differentiates a physical building from a dwelling identified with a family 3. A house of cards: a precarious situation, from the notion of an activity in which one or more people try to build a structure out of vertically placed playing cards without causing it to collapse 4. A plague on both your houses: A curse, based on a line from Romeo and Juliet, in which the speaker expresses disgust with both parties in a dispute 5. As safe as houses: In British English, a reference on the presumption that a house is secure, to satisfactory protection 6. Basket house: A music venue in which performers earn only money collected in a basket or other receptacle as donations 7. Big house: Slang for prison, or a reference to the main residence of an estate 8. Boardinghouse reach: An especially long reach across a table, alluding to the relaxed table manners of a boardinghouse, a lodging in which meals are provided 9. Bottom the house: A reference to thoroughly cleaning a place 10. Brick house: A sexually attractive woman, from the notion that she, on the analogy of a sturdy structure made of brick, is well built 11–12. Bring down the house/bring the house down: A reference to a performer being so entertaining that everyone in the venue in which the person is performing responds so enthusiastically that the performance is temporarily interrupted 13–15. Call house/house of ill fame/repute: Euphemisms for brothel 16. Clean house: A reference to thoroughly reforming an organization by replacing employees or members or changing policies or traditions 17. Crack house: Slang for a house from which crack cocaine is sold 18. Dream house: A house one considers ideal as a residence 19. Eat (one) out of house and home: Deplete all the food in a house 20–21. Fox guarding the henhouse/in the henhouse: A proverbial reference to the folly of allowing a person inimical to an organization to lead it or be involved in it 22. Full house: Said of an entertainment venue with the audience at capacity 23. Get (one’s) own house in order: An admonition to improve one’s own situation before criticizing another person for theirs 24. Get along like a house on fire: Become friends immediately upon meeting 25–26. Go around/round the houses: An expression, synonymous with â€Å"beating around the bush,† alluding to a person talking about trivial matters to avoid bringing up a sensitive topic 27. Halfway house: A residence for rehabilitating ex-convicts, drug addicts, or mental patients; by extension, a midpoint 28. Hash house: An inexpensive restaurant 29. Haunted house: A house thought to be inhabited by ghosts or spirits 30. House band: A musical ensemble hired to play regularly at a venue on its own, backing up visiting performers, or both 31. House music: A style of electronic dance music similar to disco but with few or no lyrics 32. House of correction: A euphemism for prison 33. House of many doors: Slang for prison 34. House poor: Able to afford housing costs but little else 35. House specialty: A menu item or other product that a business takes pride in offering 36. House wine: Any type of wine offered as a specialty of a restaurant or bar 37. Housebreak: Train a pet to use a special receptacle or go outside to urinate or defecate; by extension, make polite or submissive 38. Housewarming party: A celebration to commemorate moving into a new residence 39. In the house: Present (usually in the context of an entertainer being in a performing venue) 40. Keep house: Manage a household 41. Keep open house: Said of a residence in which visitors are always welcome 42. Lady of the house: A woman who manages a household 43. Like a house on fire: Quickly, from the notion that a burning house will swiftly become engulfed in flames 44. My house is your house: An expression of hospitality to make a guest feel welcome 45. On the house: Free (meaning that the house, or establishment, will on a special occasion pay for a product offered in the establishment) 46. Open house: An event in which visitors are welcome, either for a house party, a showing of a residence for sale, or an event in which members of the public are invited to visit an organization’s headquarters 47. Out of house and home: Evicted or otherwise deprived of shelter 48. Outhouse: An outdoor toilet 49. People who live in glass houses shouldn’t throw stones: A proverb that discourages hypocrisy; compare â€Å"put (one’s) own house in order† 50. Play house: Pretend to engage in activities associated with being part of a family (usually said of children role-playing domestic behaviors such as cooking and cleaning) 51. Put (one’s) house in order: Manage one’s affairs; contrast with â€Å"Put (one’s) own house in order† 52. Put (one’s) own house in order: An expression exhorting people to take care of their own affairs before criticizing how others handle theirs; compare â€Å"Those who own glass houses shouldn’t throw stones† and contrast with â€Å"Put (one’s) house in order† 53. Rock the house: Elicit an enthusiastic response from an audience 54. Shotgun house: Slang for a long, narrow house built with rooms in a straight line, from the notion that a shotgun shell could be fired through the front door and out the back door 55. There wasn’t a dry eye in the house: A reference to a dramatic performance that causes everyone in the audience in a performance venue to cry Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:10 Rules for Writing Numbers and Numerals20 Rules About Subject-Verb AgreementOne Scissor?

6 Bad Work Habits That Are Ruining Your Career

6 Bad Work Habits That Are Ruining Your Career Whether you’re just starting out or trying to revitalize your career, it’s always important to do a lifestyle and attitude check up to make sure you’re not subconsciously sabotaging yourself. Here are 6 bad work habits that you should change if you want to find a path to success.1. RuthlessnessSure, the road to success is littered with ruthless, bloody-minded mercenaries who have tunnel vision- and damn everything and everybody else. But the business world also requires you to be a good team member and collaborator. Try to keep in mind that your success does not need to exclude anyone else’s success, and work together with your coworkers- rather than against.2. ComplainingThis is a waste of your time and energy. For every time you’re tempted to complain, try instead to think of a possible solution, or to channel your energy into something productive and constructive.3. GossipIf you’re a big mouth, spreading gossip or telling insider secrets, or worse- spreading mistruths- then you’re not going to go far. If people feel you can’t be trusted, you won’t ever gain the trust and confidence you’ll need to get to the top.4. DrinkingA drink or two can be a great ice breaker, but you’ll want to be careful not to overindulge. It can impair your function, burden your workweek with hangovers, and cause you to do things you might regret. Keep a hold on yourself socially so as not to lose a grip on yourself professionally.5. ArroganceConfidence in your abilities is one thing. Drive is another thing. Arrogance is just unnecessary. Try not to antagonize anyone with your self opinion on your way up the ladder. A little humility can go a long way.6. LazinessYou have to work hard to succeed. Employers and coworkers can always tell when someone isn’t pulling their weight. Next time you’re tempted to hang back and let others do the work, remember how important it is to pull your own weight an d to give it your all. If you don’t, you’ll never truly succeed.

The Presidency of James Polk Essay Example | Topics and Well Written Essays - 2500 words

The Presidency of James Polk - Essay Example But as these authors have revealed, such a conclusion may be questionable in the light of the events that surrounded the Presidency and Polk’s political career. By highlighting elements and aspects of the Polk Presidency that have not been as widely or as well known, these three authors have questioned whether Polk’s contribution to the United States was an entirely favorable one. Bergeron’s book has also detailed the American war in Mexico and President Polk’s role in American acquisition of territories in the southwest. This book is notable in that it highlights the covert role of the executive in manipulating the events that led to the declaration of hostilities between the United States and Mexico over disputed territories in Texas, New Mexico and California. Bergeron has discussed covert operations undertaken by President Polk, notably the annexation of new Texas territory. This operation was designed in such a manner as to incite a confrontation and thereby provide an excuse for the United States to annex the territory (Bergeron, 1987:67-70). As a part of this strategy, Commodore Robert Stockton was posted to the disputed Mexican border, in order to monitor the developments there. In May of 1845, Stockton recommended that the Texan authorities should gather their forces and challenge Mexican claims to the territory between the rivers Rio Grande and Nueces rivers. He proposed that local militia units should be called up under the command of General Sidney Sherman and armed with weapons to be covertly supplied to them by the United States Government but purportedly acquired from private sources. Stockton’s plan was supported by President Polk, but failed to go through because Anson Jones, who was the President of the Texan Republic, rejected it.

Documentary Cinema Response Journals Movie Review

Documentary Cinema Response Journals - Movie Review Example Glass (1958) was a short documentary film of the Netherlands, which was directed by Bert Haanstra who was a Dutch director.The main plot of the film surrounded the glass industry of Netherlands. The film was allowed its viewers to reciprocate with handmade crystals of Dutch society, in contrary to the machine made a portion of Royal Leerdam Glass Factory with automated machines that facilitated bottle making. Haanstra’s strong stylistic interventions depicted the film through a polemical space. He has used essential origins of film language, which includes the image, sounds, and montage. My point of view regarding the documentary was largely focused on a diversified range of music jazz to techno. In the short segment of time in this documentary, artisans created various glass goods by their own hands and added up to the mass production of diversified glass product of Netherlands. According to the viewers, this short documentary film often acclaimed to be a perfect short docume ntary that successfully spun around the subject and aligned the overall basic plot of the movie. The House is Black (1962) was an Iranian short documentary film, directed by Forough Farrokhzad. The film reflected on the other side of life and suffering in a leper colony as well as focused on the human condition in reflection to the beauty of creation that has been depicted in the documentary. The director Farrokhzad, used some quotation from the Old Testament, as well as Quran along with her own poetry. This poetic feel gave this film a versatile dimension that was absent in the other similar types of documentary films. The artistic views of the poet also reflected from the unique selection of the name of the film that was aligned with the needs of the subject. The documentary based on the story of the â€Å"Behkadeh Rail colony†. The director has directed only one film throughout her life. Additionally, this particular film has been successful in developing an attention outside Iran, after its release, the film was successfully recognized as a milestone of Iranian film Industry. Many of

History of Makeup in Film

History of Makeup in Film Makeup has been around and enduring changes since 3100- 2907 BC. Men and women in Egypt started with creams to keep their skin soft and glowing. Soon other countries started created their own form of makeup. Makeup has been around for centuries and is still widely used today. The egyptians used dark green colors for eyeshadows and for mascara they would tint eyelashes with kohl. Sometimes they would use the kohl for eyeliner. This kohl was actually made from soot. In Rome they had the same ideas on how apply makeup but the ways they did it were dangerous. The Romans believed that to be rich your skin had to be pale. To achive this look they would use chalk and even white lead. Because these methods were so dangerous many women died due to lead poisoning it caused a lot of health problems such as hair loss,stomach problems and death. Eventually they started making makeup products from natural food ingredients. In the victorian era it was believed that if you were wearing makeup then you were a prostitutes or actresses. Any heavy makeup or even a slight color change in hair, they would be looked down upon. By this time makeup was evolving and people got tired of using harmful chemicals on their face. Women had stopped using kohl for their eyelashes and started using hot wax and other oils. Instead of using flour to powder noses Max Factor created a press powder around 1914. In film makeup actors would usually do their own makeup which caused them to just grab anything. Most of the products they used contained lead and mercury. To get the desired look they would use an extremely heavy grease paint that was pink in color to re correct the lighting from the film equipment. If the paint was applied to lightly the actors would look pale. To try to fight that they would also use black and red liners to try to hollow out their eyes. They would sweat under all of those stage lights and every mark on their face would show. Max Factor and George Westmore realized this was a problem so Max created a special kind of grease paint that was a lighter product. You were able to build it up to however thick you wanted to and it hardly showed any harsh lines. He would set that grease paint with his pancake makeup which was really his new pressed powder. They still used the red and black liners to hollow out their eyes. His pancake makeup was used in Vogues of 1938 and Goldwyns Follies. It was only used in movies but soon everyone was wearing it offscreen. Max Factor went on to create his beauty empire. He started making foundations, lipsticks, eyeshadows, cheek tints etc. George Westmore went from a wig maker to a makeup artist. George invented a lot of tips and tricks for cinema makeup. Even the invention of false lashes. George opened a tiny makeup studio in 1917. He had big clients like Mary Pickford. He actually found a way to fake her curls everyday. Film makeup has not changed. They use safer materials that have actually been tested. Also, they have also gotten more creative. For example they have been able to make rubber pieces to attach onto the skin and how to paint faces to look more like a character or a monster. Spirit gum was also introduced to the makeup world along with latex. The latex works great for making small wrinkles. Lon Chaney used to use wire and toilet paper to curve his nose up for one of his roles. It was a very dangerous way to curve his nose because the wire would make his nose bleed. The first time that horror makeup was used in a movie was Nov. 30th in 1925 with the Phantom of the Opera. In order to get the makeup effect, Lon Chaney would put his wig on along with a prosthetic piece for his forehead. He used black shadow for the underneath his eye to make it look like his eye was pulled down with a little bit of white on his bottom lash line to make the eye appear bigger. Also, he used a fish skin material and glued it down with spirit gum. They tried to glue his nose down with just spirit gum but it would always fall back down. They had wires running from his nose into his wig piece and the wire was secured with the fish skin. They also had little wires for his mouth. His face had little tiny wrinkles all over the place white and black makeup was used to make him look a bit deadish. Then the last step was to give him new teeth to complete the look. In 1935 The Bride of Frankenstein was the next movie to use special effects makeup. Normally actors would do their own makeup but for this movie they brought in a makeup artist named Jack P. Pierce. Jack created two scars under her chin that went into her hair. The scar making process took about an hour. They covered her face with foundation lipstick and false eyelashes. Then for her hair they just combed her hair upwards onto a little cage and added grey streaks. The creature of the Black Lagoon in 1954. The costume was made from molded rubber sponge. In 1973 The Exorcist used some sort of forehead piece. They covered up her eyebrows. Also, they used latex to create the cuts on her face and a little bit of bruise colors around her face to make her look possessed with the help of contacts. To create the vomit they used pea soup. In 1977 The Incredible Melting Man came out. For this makeup look they gave the actor an oversized helmet that they painted to look skeletal then with a flesh tone. Then they would put syrup and paint all over the mask. Each take they would have to apply more and more so it would look fresh. Next is Alien from 1979. For this movie they used a soft modeling material and snake vertebrates. Also, they used cooling tubes from a car. In 1984 Nightmare on Elm Street became popular because of Freddys burns across his face. To create these burns the makeup artist used individual pieces to lay on the actors face. First, he started off by securing a bald cap on with spirit gum then latex. Then had to block out the eyebrows and his beard with a glue stick so the prosthetic pieces would not get stuck to the hair when he glued them down. He put the head piece on first, then the neck piece, he would secure the face piece and then the chin piece. All together there was 11 pieces that were put on. The makeup took about three hours to put on and taking it off. When all of the edges were blended and secure he would go over all of the burns with red paint then very lightly with a white color. The face pieces were sculpted out of silicone so they wouldnt have to start from scratch each day. In 1990 Edward Scissorhands came out and they brought in a mechanic to work on his hands. For his makeup he has a pale shade on his face, the underneath of his eyes have dark bags and that can be done with just a black eyeshadow thats lightly dusted. For the cuts on his face a small layer of latex is all the sfx makeup this movie needed. In 2000 The X-Men was released. For Mystique they had a full body cast to sculpt the 110 pieces. About 60% of her body was covered in prosthetics. They did plaster casts of mostly all of the cast members. Also, they did casts for Wolverines hands. The makeup took around seven hours for just Mystique. 2004 Hellboy was released. The makeup for Hellboy took four hours. First they used all foam pieces. They applied his back piece and put it over his head to attach to his chest. The last pieces that were applied were the facial prosthetic pieces that only left his lower lip. He was then painted all red.They would attach the lower lip part right before they started filming so he could eat or drink. Special effects makeup has gotten more advanced as the time goes by. The artist now have the choice to make prosthetics to make their job easier. The variety of makeup choices are larger. For example airbrushing in now a possibility. Instead of having to hand paint all of the prosthetics, it takes less time to airbrush than to paint every individual piece. Once youre done airbrushing you can spend more time focusing on the more important details.

Football Violence

Football hooliganism is increasing in Scotland, but in the 80s that’s when football violence was at its worse. Over the past years it has being increasing in vast numbers of football thugs from different cities and whenever there team play they travel to the game and after hoping for a fight with the opposite firm.The first recorded incident of a large scale crowd fight was in 1909 with Glasgow Celtic and Glasgow Rangers. Scotland’s first organised firm was Aberdeen (Aberdeen Soccer Casuals) which included Punks and skinheads. The ‘casual’ name became a big part in it because they wore casual clothing such as big brands known as Fila, Lacoste, ellesse and Adidas original. In this clothing they were disguised and had no trouble with police and now that there fights were organised it was bound to happen.The other Scottish firms such as St.Mirren (Love Street Division), Clyde (Shawfield Shed End Boys), Dundee and Dundee United (Dundee Utility), Celtic (Celtic Soccer crew), Rangers (ICF Inter City Firm), Hibernian (Capital City Service), Motherwell (Saturday Service), Partick Thistle (North Glasgow Express), Falkirk (fear) And Dunfermline (Carnegie Soccer service), but topping all those firms was the victorious ASC Aberdeen Soccer Casuals.In the 1980s the Aberdeen’s ASC and Hibernians CCS became the most feared casual force in Scotland but as Hibernian edging their way to the top spot after a few years. From the 2000s the casual scene has declined in Scotland but recently firms such as Aberdeen, Dundee Utility, Celtic Soccer Crew, Hibernian, Hearts, Partick Thistle, Airdrie, Love Street Division and Rangers Still have a large number of casuals active. In the Euros of 96 the CCS (hibs) along with Celtic’s CSC, Dundee Utility, Partick Thistle’s NGE, Motherwell’s SS, St Mirren’s LSD, and Aberdeen ASC organised a fight with Chelsea, Millwall, Rangers and Airdrie Section B in the centre of Trafalgar square. T his incident attracted worldwide media with footage of the two large firms during the action.In the 2000s the police had to come up a solution to reduce the numbers of firms and in a result of this any football casual caught in action was handed a stretch of five years in prison, the government hit the casual scene hard by doing this. They also increased the number of CCTV in Britain. In Scotland they also introduced FoCus police which go to games and video a suspicious crowd and they will try and gather  on suspects of the football firm. It has worked out to be a good idea and it has caused some football clubs to ban the some of the casuals from the ground temporary or even permanently, this at least stops violence inside the grounds of the football club.Football violence in Scotland is bad but in England its history goes way back. England has double the firms and probably triples the amount of casual members. In England football hooliganism is far worse than what it is in Scotla nd but the police are on top of it. I think all this violence at football should be stopped because it is a family sport there are children at the game, not only violence but racism and sectarianism should also have a stop put to it and the worst culprits are the English because of the size of the country the members of the firms double.Schemes like ‘Show Racism the Red Card’ have had an impact on the situation because racism is out of order but also really offensive. In the modern day it is the youngsters keeping the scene alive that is why it is increasing but still a lot of older casuals. The younger firms out there such as Hibs baby crew (hibs), Rangers Youth (rangers), Celtic baby crew (celtic), Alliance Under Fives (Dundee, Dundee utd) Paisley Under Fives (st.mirren) Morton youth (Morton) and many more there are a lot more younger firms trying to live up to their club firms reputation.The youngsters see themselves as the next generation but they are young and obvi ously don’t know what they are getting themselves into. Football violence is a horrible thing and very dangerous so it is vital that the police are always on their toes ready for the firms to kick off at any moment and cause catastrophe in Britain’s streets. The police are cracking down on the big names in the game which is good progress and hopefully in feature years the casual scene is totally broke down and football fans don’t need to worry about their safety and enjoy the wonderful game of football.

Chris Pawling - 2932 Words

Introduction: Popular Fition: Ideology or Utopia? Christopher Pawling Popular Fiction and Literary criticism * Despite the growth of interest in popular fiction, it has been difficult to introduce courses on them in college and university syllabi because it is still not considered as mainstream literature, just a minor or peripheral genre. * The self-definition of English literature depends heavily on what is absent from its field- its significant other- popular literature or paraliterature whose absence from the syllabus enables us to define the dominant literary culture. Paraliterature is a sort of ‘taboo’ against which the ‘self’ of literature proper is fashioned. * Darko Suvin says that a discipline which does not take into†¦show more content†¦* Jules Verne’s story, The Mysterious Island begins with a supposedly straightforward celebration of ‘bourgeois’ science. It is subverted by Captain Nemo who epitomizes a scientific spirit of enquiry untainted by social relations. This ‘idealâ€⠄¢ image of science is finally rejected by Verne and Nemo rejected as an anachronistic figure whose illusions destroy him and his island. It helps to undermine the effect of an all-conquering science. Verne’s story does not offer a conscious interrogation of the bourgeois image of science. Macherey’s reading reveals a flaw in the narrative which allows us to gain access to the repressed meanings of ‘political unconscious’ (Frederic Jameson) of the narrative. * Martin Jordin’s analysis of 1950s novel Wolfbane shows that the narrative of Wolfbane just does not reproduce given ideological assumptions about the role of science in society but that it also puts that ideology to work ‘ testing, defining and reconstructing it in the process of interpreting the changing content of...historical experience.’ Wolfbane reverses the science fiction formula by implying that science must first be liberated from its service to an irrational social order before it can become an instrument of human progress or produce a more free and equal society. During this period, the readership of SF (the scientific middle class) had to be subordinated to the needs of the corporate economy. The text became a site of ideological struggle and not just