History of Makeup in Film

History of Makeup in Film Makeup has been around and enduring changes since 3100- 2907 BC. Men and women in Egypt started with creams to keep their skin soft and glowing. Soon other countries started created their own form of makeup. Makeup has been around for centuries and is still widely used today. The egyptians used dark green colors for eyeshadows and for mascara they would tint eyelashes with kohl. Sometimes they would use the kohl for eyeliner. This kohl was actually made from soot. In Rome they had the same ideas on how apply makeup but the ways they did it were dangerous. The Romans believed that to be rich your skin had to be pale. To achive this look they would use chalk and even white lead. Because these methods were so dangerous many women died due to lead poisoning it caused a lot of health problems such as hair loss,stomach problems and death. Eventually they started making makeup products from natural food ingredients. In the victorian era it was believed that if you were wearing makeup then you were a prostitutes or actresses. Any heavy makeup or even a slight color change in hair, they would be looked down upon. By this time makeup was evolving and people got tired of using harmful chemicals on their face. Women had stopped using kohl for their eyelashes and started using hot wax and other oils. Instead of using flour to powder noses Max Factor created a press powder around 1914. In film makeup actors would usually do their own makeup which caused them to just grab anything. Most of the products they used contained lead and mercury. To get the desired look they would use an extremely heavy grease paint that was pink in color to re correct the lighting from the film equipment. If the paint was applied to lightly the actors would look pale. To try to fight that they would also use black and red liners to try to hollow out their eyes. They would sweat under all of those stage lights and every mark on their face would show. Max Factor and George Westmore realized this was a problem so Max created a special kind of grease paint that was a lighter product. You were able to build it up to however thick you wanted to and it hardly showed any harsh lines. He would set that grease paint with his pancake makeup which was really his new pressed powder. They still used the red and black liners to hollow out their eyes. His pancake makeup was used in Vogues of 1938 and Goldwyns Follies. It was only used in movies but soon everyone was wearing it offscreen. Max Factor went on to create his beauty empire. He started making foundations, lipsticks, eyeshadows, cheek tints etc. George Westmore went from a wig maker to a makeup artist. George invented a lot of tips and tricks for cinema makeup. Even the invention of false lashes. George opened a tiny makeup studio in 1917. He had big clients like Mary Pickford. He actually found a way to fake her curls everyday. Film makeup has not changed. They use safer materials that have actually been tested. Also, they have also gotten more creative. For example they have been able to make rubber pieces to attach onto the skin and how to paint faces to look more like a character or a monster. Spirit gum was also introduced to the makeup world along with latex. The latex works great for making small wrinkles. Lon Chaney used to use wire and toilet paper to curve his nose up for one of his roles. It was a very dangerous way to curve his nose because the wire would make his nose bleed. The first time that horror makeup was used in a movie was Nov. 30th in 1925 with the Phantom of the Opera. In order to get the makeup effect, Lon Chaney would put his wig on along with a prosthetic piece for his forehead. He used black shadow for the underneath his eye to make it look like his eye was pulled down with a little bit of white on his bottom lash line to make the eye appear bigger. Also, he used a fish skin material and glued it down with spirit gum. They tried to glue his nose down with just spirit gum but it would always fall back down. They had wires running from his nose into his wig piece and the wire was secured with the fish skin. They also had little wires for his mouth. His face had little tiny wrinkles all over the place white and black makeup was used to make him look a bit deadish. Then the last step was to give him new teeth to complete the look. In 1935 The Bride of Frankenstein was the next movie to use special effects makeup. Normally actors would do their own makeup but for this movie they brought in a makeup artist named Jack P. Pierce. Jack created two scars under her chin that went into her hair. The scar making process took about an hour. They covered her face with foundation lipstick and false eyelashes. Then for her hair they just combed her hair upwards onto a little cage and added grey streaks. The creature of the Black Lagoon in 1954. The costume was made from molded rubber sponge. In 1973 The Exorcist used some sort of forehead piece. They covered up her eyebrows. Also, they used latex to create the cuts on her face and a little bit of bruise colors around her face to make her look possessed with the help of contacts. To create the vomit they used pea soup. In 1977 The Incredible Melting Man came out. For this makeup look they gave the actor an oversized helmet that they painted to look skeletal then with a flesh tone. Then they would put syrup and paint all over the mask. Each take they would have to apply more and more so it would look fresh. Next is Alien from 1979. For this movie they used a soft modeling material and snake vertebrates. Also, they used cooling tubes from a car. In 1984 Nightmare on Elm Street became popular because of Freddys burns across his face. To create these burns the makeup artist used individual pieces to lay on the actors face. First, he started off by securing a bald cap on with spirit gum then latex. Then had to block out the eyebrows and his beard with a glue stick so the prosthetic pieces would not get stuck to the hair when he glued them down. He put the head piece on first, then the neck piece, he would secure the face piece and then the chin piece. All together there was 11 pieces that were put on. The makeup took about three hours to put on and taking it off. When all of the edges were blended and secure he would go over all of the burns with red paint then very lightly with a white color. The face pieces were sculpted out of silicone so they wouldnt have to start from scratch each day. In 1990 Edward Scissorhands came out and they brought in a mechanic to work on his hands. For his makeup he has a pale shade on his face, the underneath of his eyes have dark bags and that can be done with just a black eyeshadow thats lightly dusted. For the cuts on his face a small layer of latex is all the sfx makeup this movie needed. In 2000 The X-Men was released. For Mystique they had a full body cast to sculpt the 110 pieces. About 60% of her body was covered in prosthetics. They did plaster casts of mostly all of the cast members. Also, they did casts for Wolverines hands. The makeup took around seven hours for just Mystique. 2004 Hellboy was released. The makeup for Hellboy took four hours. First they used all foam pieces. They applied his back piece and put it over his head to attach to his chest. The last pieces that were applied were the facial prosthetic pieces that only left his lower lip. He was then painted all red.They would attach the lower lip part right before they started filming so he could eat or drink. Special effects makeup has gotten more advanced as the time goes by. The artist now have the choice to make prosthetics to make their job easier. The variety of makeup choices are larger. For example airbrushing in now a possibility. Instead of having to hand paint all of the prosthetics, it takes less time to airbrush than to paint every individual piece. Once youre done airbrushing you can spend more time focusing on the more important details.

Football Violence

Football hooliganism is increasing in Scotland, but in the 80s that’s when football violence was at its worse. Over the past years it has being increasing in vast numbers of football thugs from different cities and whenever there team play they travel to the game and after hoping for a fight with the opposite firm.The first recorded incident of a large scale crowd fight was in 1909 with Glasgow Celtic and Glasgow Rangers. Scotland’s first organised firm was Aberdeen (Aberdeen Soccer Casuals) which included Punks and skinheads. The ‘casual’ name became a big part in it because they wore casual clothing such as big brands known as Fila, Lacoste, ellesse and Adidas original. In this clothing they were disguised and had no trouble with police and now that there fights were organised it was bound to happen.The other Scottish firms such as St.Mirren (Love Street Division), Clyde (Shawfield Shed End Boys), Dundee and Dundee United (Dundee Utility), Celtic (Celtic Soccer crew), Rangers (ICF Inter City Firm), Hibernian (Capital City Service), Motherwell (Saturday Service), Partick Thistle (North Glasgow Express), Falkirk (fear) And Dunfermline (Carnegie Soccer service), but topping all those firms was the victorious ASC Aberdeen Soccer Casuals.In the 1980s the Aberdeen’s ASC and Hibernians CCS became the most feared casual force in Scotland but as Hibernian edging their way to the top spot after a few years. From the 2000s the casual scene has declined in Scotland but recently firms such as Aberdeen, Dundee Utility, Celtic Soccer Crew, Hibernian, Hearts, Partick Thistle, Airdrie, Love Street Division and Rangers Still have a large number of casuals active. In the Euros of 96 the CCS (hibs) along with Celtic’s CSC, Dundee Utility, Partick Thistle’s NGE, Motherwell’s SS, St Mirren’s LSD, and Aberdeen ASC organised a fight with Chelsea, Millwall, Rangers and Airdrie Section B in the centre of Trafalgar square. T his incident attracted worldwide media with footage of the two large firms during the action.In the 2000s the police had to come up a solution to reduce the numbers of firms and in a result of this any football casual caught in action was handed a stretch of five years in prison, the government hit the casual scene hard by doing this. They also increased the number of CCTV in Britain. In Scotland they also introduced FoCus police which go to games and video a suspicious crowd and they will try and gather  on suspects of the football firm. It has worked out to be a good idea and it has caused some football clubs to ban the some of the casuals from the ground temporary or even permanently, this at least stops violence inside the grounds of the football club.Football violence in Scotland is bad but in England its history goes way back. England has double the firms and probably triples the amount of casual members. In England football hooliganism is far worse than what it is in Scotla nd but the police are on top of it. I think all this violence at football should be stopped because it is a family sport there are children at the game, not only violence but racism and sectarianism should also have a stop put to it and the worst culprits are the English because of the size of the country the members of the firms double.Schemes like ‘Show Racism the Red Card’ have had an impact on the situation because racism is out of order but also really offensive. In the modern day it is the youngsters keeping the scene alive that is why it is increasing but still a lot of older casuals. The younger firms out there such as Hibs baby crew (hibs), Rangers Youth (rangers), Celtic baby crew (celtic), Alliance Under Fives (Dundee, Dundee utd) Paisley Under Fives (st.mirren) Morton youth (Morton) and many more there are a lot more younger firms trying to live up to their club firms reputation.The youngsters see themselves as the next generation but they are young and obvi ously don’t know what they are getting themselves into. Football violence is a horrible thing and very dangerous so it is vital that the police are always on their toes ready for the firms to kick off at any moment and cause catastrophe in Britain’s streets. The police are cracking down on the big names in the game which is good progress and hopefully in feature years the casual scene is totally broke down and football fans don’t need to worry about their safety and enjoy the wonderful game of football.

Chris Pawling - 2932 Words

Introduction: Popular Fition: Ideology or Utopia? Christopher Pawling Popular Fiction and Literary criticism * Despite the growth of interest in popular fiction, it has been difficult to introduce courses on them in college and university syllabi because it is still not considered as mainstream literature, just a minor or peripheral genre. * The self-definition of English literature depends heavily on what is absent from its field- its significant other- popular literature or paraliterature whose absence from the syllabus enables us to define the dominant literary culture. Paraliterature is a sort of ‘taboo’ against which the ‘self’ of literature proper is fashioned. * Darko Suvin says that a discipline which does not take into†¦show more content†¦* Jules Verne’s story, The Mysterious Island begins with a supposedly straightforward celebration of ‘bourgeois’ science. It is subverted by Captain Nemo who epitomizes a scientific spirit of enquiry untainted by social relations. This ‘idealâ€⠄¢ image of science is finally rejected by Verne and Nemo rejected as an anachronistic figure whose illusions destroy him and his island. It helps to undermine the effect of an all-conquering science. Verne’s story does not offer a conscious interrogation of the bourgeois image of science. Macherey’s reading reveals a flaw in the narrative which allows us to gain access to the repressed meanings of ‘political unconscious’ (Frederic Jameson) of the narrative. * Martin Jordin’s analysis of 1950s novel Wolfbane shows that the narrative of Wolfbane just does not reproduce given ideological assumptions about the role of science in society but that it also puts that ideology to work ‘ testing, defining and reconstructing it in the process of interpreting the changing content of...historical experience.’ Wolfbane reverses the science fiction formula by implying that science must first be liberated from its service to an irrational social order before it can become an instrument of human progress or produce a more free and equal society. During this period, the readership of SF (the scientific middle class) had to be subordinated to the needs of the corporate economy. The text became a site of ideological struggle and not just

The Problem Of Mental Health - 1455 Words

Addressing the issue of mental health to parents is never an easy task, however if it is done in the correct manner it could be painless. As a childcare worker, if I were to talk to a parent about their child’s mental health I would aim to confirm their emotions and be supportive by talking about the challenges that come with mental health. I would attempt to normalize the situation for them by focusing on their child’s well-being and looking at the end result instead of the immediate struggles. After I had addressed the issue, I would then sensitively discuss with them the factors of the child’s life that may be affecting their health; being sure to never make assumptions or put the blame on any one thing. Keeping the child’s best interest in mind, I would discuss some treatment options the child has. I would explain how the mental health system works and prepare them for the obstacles they may face, but reassure them that it would be worth it for the chi ld’s sake. 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